Queen Esther

Keep in expectation of it!—Hab. 2:3.
Jehovah’s worshippers have long lived in expectation of the fulfillment of inspired prophecies. Isaiah, who foretold that Jehovah would bring about a restoration after Judah’s desolation, declared: “Happy are all those keeping in expectation of him.” (Isa. 30:18) Micah, whose prophecies also involved God’s ancient people, personally resolved: “I will keep on the lookout for Jehovah.” (Mic. 7:7) For centuries, God’s servants also lived in expectation of the fulfillment of prophecies concerning the Messiah, or Christ. (Luke 3:15; 1 Pet. 1:10-12) God’s present-day servants also keep in expectation, for prophecies about the Messiah are still undergoing fulfillment. Through the Messianic Kingdom, Jehovah will soon put an end to human suffering by destroying the wicked and delivering his people from this unstable world lying in Satan’s power. (1 John 5:19) Let us therefore remain alert and fully aware that this system is rapidly nearing its end. w15 8/15 2:1, 2
https://wol.jw.org/en/wol/dt/r1/lp-e/2017/12/13

Birds  of  paradise....  Such  a  magnificent  creature ?  So  beautiful, different  birds !
Jehovah's  Creations....   ? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

Breathtaking  shot  of  Mount  Etna's  eruption,  WOW !  A  nature  spectacle
                               ? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

The golden pheasant ----


The amazing Victoria crowned pigeon ?

Haha.....  he  is  looking  funny....
BEAUTIFUL ~~~~     ? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

The golden pheasant ----


The amazing Victoria crowned pigeon ?

Haha.....  he  is  looking  funny....
BEAUTIFUL ~~~~     ? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

Breathtaking  shot  of  Mount  Etna's  eruption,  WOW !  A  nature  spectacle
                               ? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

Birds  of  paradise....  Such  a  magnificent  creature ?  So  beautiful, different  birds !
Jehovah's  Creations....   ? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

Jellyfish have lived on this Earth for about 300 Million years ... with absolutely no brain ....
There is still hope for all those  who value long life at the expense of rational thought.

Humans  are  sinners  -  so  their  life  is  short  until  now !   Many  plants  and  animals  getting  alot  older  than  humans...  we  know  that !   One  day  it  will  change,  I  hope  so

? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

BROTHERS / SISTERS  OF  GREENLAND.....     *FUNNY  SERVICE  OVER  THE  SNOW*
? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

Keep in expectation of it!—Hab. 2:3.
Jehovah’s worshippers have long lived in expectation of the fulfillment of inspired prophecies. Isaiah, who foretold that Jehovah would bring about a restoration after Judah’s desolation, declared: “Happy are all those keeping in expectation of him.” (Isa. 30:18) Micah, whose prophecies also involved God’s ancient people, personally resolved: “I will keep on the lookout for Jehovah.” (Mic. 7:7) For centuries, God’s servants also lived in expectation of the fulfillment of prophecies concerning the Messiah, or Christ. (Luke 3:15; 1 Pet. 1:10-12) God’s present-day servants also keep in expectation, for prophecies about the Messiah are still undergoing fulfillment. Through the Messianic Kingdom, Jehovah will soon put an end to human suffering by destroying the wicked and delivering his people from this unstable world lying in Satan’s power. (1 John 5:19) Let us therefore remain alert and fully aware that this system is rapidly nearing its end. w15 8/15 2:1, 2
https://wol.jw.org/en/wol/dt/r1/lp-e/2017/12/13

Manténte en expectación (Hab. 2:3).
Durante mucho tiempo, los siervos de Jehová han estado pendientes del cumplimento de las profecías. Isaías, quien profetizó que Jehová traería de vuelta a los judíos a su tierra, dijo: “Felices son todos los que se mantienen en expectativa” (Is. 30:18). Miqueas, que también esperaba el cumplimiento de las profecías de Jehová, aseguró: “Por Jehová me mantendré vigilante” (Miq. 7:7). Y por siglos, los siervos de Dios vivieron esperando que se cumplieran las profecías que se habían hecho sobre el Mesías o Cristo (Luc. 3:15; 1 Ped. 1:10-12). Los siervos de Dios del día moderno también estamos vigilantes, pues esperamos el cumplimiento de las profecías relacionadas con el Reino. Mediante ese Reino, Jehová acabará con el sufrimiento, eliminará a la gente mala y liberará a su pueblo del terrible mundo de Satanás (1 Juan 5:19). Así que debemos mantener los ojos bien abiertos y reconocer que el fin está más cerca que nunca. w15 15/8 2:1, 2
https://wol.jw.org/es/wol/dt/r4/lp-s/2017/12/13

Let them praise your great name.—Ps. 99:3.
Unlike some religious people who mistakenly think that they will praise God once they have left the earth and gone to heaven, all of Jehovah’s Witnesses realize the need to praise him here and now on the earth. We thereby follow the example of the faithful servants of Jehovah described at Psalm 99:1-3, 5. As that psalm indicates, Moses, Aaron, and Samuel offered their full support to the arrangement for true worship in their day. (Ps. 99:6, 7) Today, before moving on to serve as priests with Jesus in heaven, the remaining ones of his anointed brothers faithfully serve in the earthly courtyard of the spiritual temple. Millions of “other sheep” loyally support them. (John 10:16) Although having different hopes, both groups unitedly worship Jehovah here at God’s footstool. As individuals, however, we do well to ask ourselves, ‘Am I giving full support to Jehovah’s arrangement for pure worship?’ w15 7/15 1:4, 5
https://wol.jw.org/en/wol/dt/r1/lp-e/2017/12/12

I  found  that  by  google :
http://www.culturenorthernireland.org/features/music/richard-clayderman

Wonderful  music,  a  shy  pianist  and   human....
 ? ? ? ?.? ? ? ?.? ? ? ? ? ?.? ?. ? ? ? ?.? ? ? ?
Music legend Richard Clayderman leads a charmed life. The 70 million-selling man they call ‘the Prince of Romance’ has a mansion’s worth of pianos and a top drawer full of fan mail. ‘I have received many letters with a link to sexuality,’ smiles the ivory-tinkler. ‘With your permission, I’ll keep them hidden. Let’s keep the mystery on this!’
Clayderman is chatting to CultureNorthernIreland ahead of a show at the Belfast Waterfront on April 16 (2010). It is the balladeer’s third visit to the venue. ‘It is my pleasure to be back again in this beautiful hall,’ he says. An eight-piece string section from Belfast will join him on the night. ‘I have been certified that they are of the highest quality,’ Clayderman says. ‘Sometimes, I’m stressed to work with musicians of a not-too-high quality, but in Ireland I know that the level is extremely high.’
The 56-year-old Frenchman has recorded more than 1,200 melodies across some 150 albums in a 34-year career. Yet, he is happy to look beyond his back catalogue for the set list. ‘Among the pieces of music I will perform in Belfast are two which were originally performed by the Corrs,’ he reveals. ‘I am very fond of the Corrs, and I have adapted these two very Irish compositions to my piano.’ The evening will also feature original work, movie themes and a medley of Stevie Wonder hits. ‘I’m a fan of his way to play the keyboards,’ coos Clayderman.
After listing the musical instruments cluttering his Normandy home – a grand piano here, an electric keyboard there – Clayderman swells with pride as he discusses the impact of his most popular recording, 1976’s ‘Ballade pour Adeline’. ‘I assume that thousands of women aged today less than 35 years old have been named “Adeline” because of the song,’ he purrs. ‘I have received many letters from married couples who have named their little girl “Adeline” because of making love while listening to it.’ This writer’s girlfriend and her mother are both called Adeline, but they were named after a nun. I don’t tell Clayderman. It might burst his bubble.
‘To be romantic is to be concerned with the beauty of the sky, of the sea and of nature,’ he continues. ‘It is to feel love while being surrounded by beauty. I am trying to transmit through the piano all my feelings.’
He might be a dreamer and an eternal romantic, but one thing Clayderman isnÂ’t is an evangelist.
An ongoing misconception is that the musician is a Jehovah’s Witness. ‘I have had many letters requesting me to join a group of other Witnesses on a specific date,’ the pianist groans. ‘I have also received letters advising me to immediately leave the European territories as they are damned and malefic for me.’
Understandably, then, Clayderman guards his privacy, preferring the company of his family to the celebrity circuit. ‘I am rather calm, shy and reserved,’ he says. ‘I don’t like going out to discos, clubs or bars. I need to be in a quiet environment to reload my batteries and get some energy in order to use it on my piano. I don’t speak loud and rarely get irritated. I keep everything inside.’
Clayderman, whose father was a piano teacher, began learning to play at a young age. ‘I was born with music around me,’ he says. ‘There was not one day without music at home. I went to the keyboard quite naturally when I was three or four. I can truly say that music has always been part of my life.’ At 12, he was enrolled in the Paris Conservatoire of Music, where he won acclaim in his teenage years.
Following stints as a bank clerk and as an accompanist to contemporary French artists, such as Johnny Hallyday and Michel Sardou, Clayderman – then still known by his birth name of Philippe Pagès – met producers Olivier Toussaint and Paul de Senneville. De Senneville had composed a ballad in tribute to his new daughter, Adeline, and 23-year-old Pagès was recruited to perform it.
Clayderman earned his famous nickname in 1984, when he appeared at a charity concert in New York City hosted by the then First Lady of the United States, Nancy Reagan. Says Clayderman: ‘After the concert, she thanked me, and said, “You know, Richard, you’re really a prince of romance.” She meant that my style of music is romantic – soft, evoking love, emotions, feelings…’
Clayderman ponders the upcoming Belfast gig. He describes his fan base as ‘very eclectic’, yet still worries about the reaction from the audience. ‘I would not like to perform for people who would not like what I do,’ frets the maestro. ‘That would be hateful for me and for them.’
So  far  I  understand,  he  was / is  NOT a  Jehovah's  Witness

https://tv.jw.org/#en/mediaitems/LatestVideos/pub-jwb_201712_2_VIDEO
143rd Gilead Graduation—The Inside Story  -  Length 36:25
              ? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

JW Animated DAILY  TEXT Tuesday, December 12. 2017

I will look for more similar, interesting things, okay?  Then we all can have little joy sometimes   Thank you dear Blanchie   Enjoy the day when you can !  And not forget,  laughing >>>>>>>>>>>>>>  ????? haha   Good for our body   Jehovah gave us tears for crying AND for laughing !   *HILARIOUS* 

I will look for more similar, interesting things, okay?  Then we all can have little joy sometimes   Thank you dear Blanchie   Enjoy the day when you can !  And not forget,  laughing >>>>>>>>>>>>>>  ????? haha   Good for our body   Jehovah gave us tears for crying AND for laughing !   *HILARIOUS* 

Graduación de la clase 143 de la Escuela de Galaad: De primera mano  ---   ( 36 :25 )
https://tv.jw.org/#es/mediaitems/LatestVideos/pub-jwb_201712_2_VIDEO
                      ? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

Gilead-Abschlussfeier der 143. Klasse – The Inside Story.....   Länge, 35 : 25 Min.
https://tv.jw.org/#de/mediaitems/LatestVideos/pub-jwb_201712_2_VIDEO
                   ? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

https://tv.jw.org/#en/mediaitems/LatestVideos/pub-jwb_201712_2_VIDEO
143rd Gilead Graduation—The Inside Story  -  Length 36:25
              ? ? ? .•*¨`*•..¸???¸.•*¨`*•. ? ? ?

TEXTO DIARIO  ANIMADO 12. de diciembre, de  2017

JW Animated DAILY  TEXT Tuesday, December 12. 2017

I  found  that  by  google :
http://www.culturenorthernireland.org/features/music/richard-clayderman

Wonderful  music,  a  shy  pianist  and   human....
 ? ? ? ?.? ? ? ?.? ? ? ? ? ?.? ?. ? ? ? ?.? ? ? ?
Music legend Richard Clayderman leads a charmed life. The 70 million-selling man they call ‘the Prince of Romance’ has a mansion’s worth of pianos and a top drawer full of fan mail. ‘I have received many letters with a link to sexuality,’ smiles the ivory-tinkler. ‘With your permission, I’ll keep them hidden. Let’s keep the mystery on this!’
Clayderman is chatting to CultureNorthernIreland ahead of a show at the Belfast Waterfront on April 16 (2010). It is the balladeer’s third visit to the venue. ‘It is my pleasure to be back again in this beautiful hall,’ he says. An eight-piece string section from Belfast will join him on the night. ‘I have been certified that they are of the highest quality,’ Clayderman says. ‘Sometimes, I’m stressed to work with musicians of a not-too-high quality, but in Ireland I know that the level is extremely high.’
The 56-year-old Frenchman has recorded more than 1,200 melodies across some 150 albums in a 34-year career. Yet, he is happy to look beyond his back catalogue for the set list. ‘Among the pieces of music I will perform in Belfast are two which were originally performed by the Corrs,’ he reveals. ‘I am very fond of the Corrs, and I have adapted these two very Irish compositions to my piano.’ The evening will also feature original work, movie themes and a medley of Stevie Wonder hits. ‘I’m a fan of his way to play the keyboards,’ coos Clayderman.
After listing the musical instruments cluttering his Normandy home – a grand piano here, an electric keyboard there – Clayderman swells with pride as he discusses the impact of his most popular recording, 1976’s ‘Ballade pour Adeline’. ‘I assume that thousands of women aged today less than 35 years old have been named “Adeline” because of the song,’ he purrs. ‘I have received many letters from married couples who have named their little girl “Adeline” because of making love while listening to it.’ This writer’s girlfriend and her mother are both called Adeline, but they were named after a nun. I don’t tell Clayderman. It might burst his bubble.
‘To be romantic is to be concerned with the beauty of the sky, of the sea and of nature,’ he continues. ‘It is to feel love while being surrounded by beauty. I am trying to transmit through the piano all my feelings.’
He might be a dreamer and an eternal romantic, but one thing Clayderman isnÂ’t is an evangelist.
An ongoing misconception is that the musician is a Jehovah’s Witness. ‘I have had many letters requesting me to join a group of other Witnesses on a specific date,’ the pianist groans. ‘I have also received letters advising me to immediately leave the European territories as they are damned and malefic for me.’
Understandably, then, Clayderman guards his privacy, preferring the company of his family to the celebrity circuit. ‘I am rather calm, shy and reserved,’ he says. ‘I don’t like going out to discos, clubs or bars. I need to be in a quiet environment to reload my batteries and get some energy in order to use it on my piano. I don’t speak loud and rarely get irritated. I keep everything inside.’
Clayderman, whose father was a piano teacher, began learning to play at a young age. ‘I was born with music around me,’ he says. ‘There was not one day without music at home. I went to the keyboard quite naturally when I was three or four. I can truly say that music has always been part of my life.’ At 12, he was enrolled in the Paris Conservatoire of Music, where he won acclaim in his teenage years.
Following stints as a bank clerk and as an accompanist to contemporary French artists, such as Johnny Hallyday and Michel Sardou, Clayderman – then still known by his birth name of Philippe Pagès – met producers Olivier Toussaint and Paul de Senneville. De Senneville had composed a ballad in tribute to his new daughter, Adeline, and 23-year-old Pagès was recruited to perform it.
Clayderman earned his famous nickname in 1984, when he appeared at a charity concert in New York City hosted by the then First Lady of the United States, Nancy Reagan. Says Clayderman: ‘After the concert, she thanked me, and said, “You know, Richard, you’re really a prince of romance.” She meant that my style of music is romantic – soft, evoking love, emotions, feelings…’
Clayderman ponders the upcoming Belfast gig. He describes his fan base as ‘very eclectic’, yet still worries about the reaction from the audience. ‘I would not like to perform for people who would not like what I do,’ frets the maestro. ‘That would be hateful for me and for them.’
So  far  I  understand,  he  was / is  NOT a  Jehovah's  Witness